Author: 21C Media Group
2020 Concert Streams
All items denoted with * are still available for viewing in 2021. December 17, Virtual Circle Regionally-ticketed piano recital recorded for The Gilmore Festival from Teldex Studio in Berlin featuring the music …
Performing for Harrison Parrott’s Virtual Circle
PressListening to Beethoven, While Walking the Dog and Dodging Cars
Pierre-Laurent Aimard, the French pianist, was staring up at the beautiful blue sky on Tuesday morning and playing the solemn strains of a Beethoven sonata…
The program felt, in these surroundings, appropriately nocturnal, the park’s forested paths a mirror of the moody depths and wary, milky, moonlit glints of Messiaen’s “L’Alouette Lulu” (“The Woodlark”), from his “Catalogue d’Oiseaux” (“Catalog of Birds”). From the beginning, Mr. Aimard’s playing was a study in reverberation; it was perceptible even through slipping headphones how the music expanded in space and time. I only regret that, just as he moved from “L’Alouette Lulu” into the classic, slowly unwinding first bars of Beethoven’s “Moonlight” Sonata, I accidentally turned off my phone.
Despite that unwelcome pause, Mr. Aimard’s point was clear: Messiaen’s forlorn yet slyly confident sounds were Beethoven’s, too. The transitions were crucial in this presentation; I think that by paying close attention to those, I experienced much of what Mr. Aimard wanted me to, even if I lost other aspects of the performance while trying to keep a halfway decent running pace. –The New York Times
Performing at the Gilmore Festival
Fall Concert Update
Fall Concert Preview
Relaunch of “Explore the Score”
PressBeethoven the Avant-Gardist: A Pianist Makes His Case
“If Beethoven has been everywhere in this year of his 250th birthday, innovative ways of presenting his music have not. Among the symphony cycles, string quartet surveys and re-enactments of his most famous concerts, few artists have asked us explicitly to rethink what Beethoven might mean for us today.
Pierre-Laurent Aimard has done that — or was planning to. A restless intellect as incisive in Bach as he is intelligible in Boulez, the French pianist, 62, was scheduled to give recitals at the Celebrity Series of Boston and the 92nd Street Y before the coronavirus outbreak intervened — recitals that would have put Beethoven in the context of other avant-gardists.” –The New York Times